Episode 22 of
Performing Arts Lab
Spoken Word Artist
I’m your host, Sally Adams, and every Monday evening, I talk to people about making original work for the stage. Subscribe to SallyPAL on iTunes, Google Play, Podbean and many other podcast platforms. Leave comments, give me a review, or send an email to Sally@sallypal.com. Your ideas keep great conversations coming every Monday evening. Thanks so much to those of you who continue to share. Thanks to Connie, Steve, Jeremy, Pat, Emile, George, Vicki, and all of you who are taking the time to spread the word.
Don’t forget about the FREEBIES on sallypal.com/join. You can still get your 20-page free original theatre resource. It’s a glossary of live performance support you’ll need for your original work. It’s useful, entertaining, and there are places to scribble your show’s notes on the pages.
Today’s episode features an amazing young artist, David KoloKolo. David is a senior in the accounting program at George Washington University in Washington DC. He’s like many serious-minded young men about to embark on a career in the corporate world. But just under the surface is a passionate, thoughtful, poetic soul. David received recognition as a spoken word artist through the Louder Than A Bomb (LTAB) program in Tulsa, Oklahoma. David is a musician who draws energy and inspiration from his Christian faith. He grew up listening to Bill Gaither Gospel and Hill Song Gospel as well as rock and hip-hop. Although his poetry is not always filled with religious images, his walk as a believer is all-encompassing. David’s non-judgmental approach to his art and his life is nothing short of inspiring. I want to share a poem he wrote and performed that really moved me. Here’s a link to David KoloKolo’s spoken word piece, Anthology of Apologies.
I’m includingConcise Advice from the Interview. This is a short version of tips from this week’s SallyPAL podcast guest. Here are David KoloKolo’s 5 great bits of advice:
5 As you grow as an artist, pay attention to your technique.
4 Art is communal even if you create in solitude.
3 Sharing digitally is a legitimate way to create a communal experience.
2 Share your whole self with your community.
And the number 1 piece of advice from spoken word artist David KoloKolo?
Worship can bind together all the areas of your life including your art.
Thank you for sharing, subscribing, reviewing, joining, and really and truly, thank you for listening. I want you to pursue your dream to have your original work on the stage in front of a live audience. It’s scary, but I’ll be here with advice, encouragement, and a growing community of people like us. If you like SallyPAL, a new podcast goes out every Monday evening!
Remember: All the performances you’ve seen on stage once lived only in someone’s imagination…
Now it’s your turn!
Episode 21 lands on the Interwebs the day before Halloween 2017. No tricks, but I do have a treat for you. Check out this really great interview with the incredibly versatile and talented music guru Jeremy Stevens.
I’m Sally Adams, host of Sally’s Performing Arts Lab podcast (SallyPAL). Every Monday evening I talk to people about making original works of music, theatre, and dance for the stage.
If you’re not a SallyPAL subscriber, find a platform (iTunes, Google Play, Stitcher, Podbean, etc.) and subscribe! SallyPAL will be featured on Podbean during Thanksgiving week.
Leave comments and give me a review! iTunes reviews are especially helpful. You can even send an email to me at Sally@sallypal.com. Your ideas keep great conversations about music and other performing arts coming every Monday evening.
On sallypal.com/join you can get a FREE 20-page theatre resource. It’s a glossary of jobs you might need people to do for your show. It’s useful and entertaining. You can even do your pop quizzes right off the pages. I’ll keep building on it every month while you build your show.
Episode 21 of SallyPAL features Tulsa pianist, choral conductor, teacher, and actor Jeremy Stevens. During the podcast, Jeremy shares the Rachel’s Challenge list.
Named for Rachel Joy Scott, the first person killed in the Columbine High School shooting in 1999, the list of actions called, “Rachel’s Challenge” is based on her personal writings. The program that grew from the list works with schools to reduce harassment, bullying, and violence.
Concise Advice from the Interview is a short version of tips from my guest. Today I have 5 great bits of advice from musician, Jeremy Stevens:
5 Keep going even when things get tough.
4 A creative journey never fully stops.
3 Don’t hesitate to refine your path through questioning.
2 It’s okay for the musician to pause because the music continues.
And the number 1 piece of advice from choral conductor Jeremy Stevens? Find your passion and pursue it!
Next week you’ll hear an interview with spoken word artist and GWU student, David Kolo.
Thank you for sharing, subscribing, reviewing, and joining. And especially, thank you for listening. I encourage you to pursue your dream. You can have your original work on the stage in front of a live audience. It’s scary. So SallyPAL will be here with advice, encouragement, and a growing community of people like us. If you like SallyPAL, a new podcast goes out every Monday evening.
Remember: All the performances you’ve seen on stage once lived only in someone’s imagination. Now it’s your turn! I want to help you create original shows for a live audience… Let’s do it together!
Every Monday evening I talk to people about making original work for the stage. Episode 20 features dancer, choreographer, and teacher, Kerrie King from Northern High School in Greensboro North Carolina.
Kerrie is a firecracker of an artist. She has more enthusiasm than a kid on the way to Disneyworld. She is encouraging, creative, and full of amazing ideas. Kerrie has been the dance teacher at Northern High School in Greensboro, North Carolina for several years. Her students have far exceeded anyone’s expectations for a public-school dance program.
Kerrie pushes her students to do more than simply dance. She drives them to create. Every student in her ever-growing program (there are nearly 100 students) stretches to develop original movement. Student dancers create thoughtful and innovative choreography. This interactive style of teaching is important. Kids get to use their bodies in positive ways. The Love Your Body Week event is part of a push toward inclusion in performing arts.
Kids who worry about miniscule weight gains and barely visible perfection in the world of dance may not maintain that enthusiasm for long. We’ve all seen little kids dancing their hearts out on YouTube or Facebook. Some of our own tiny family members dance for the joy of it. It’s great to see teachers encouraging a return to that joyful self-expression. Young people who love to dance will gain technique as they progress because they are inspired. It’s one reason Kerrie’s dance program is bursting at the seams. Let’s all work to love our own bodies as an example for the young people we love.
If you’re not a Performing Arts Lab subscriber, find a platform and subscribe to SallyPAL! I’m on a bunch of podcast platforms including Podbean where SallyPAL will be a featured show during Thanksgiving week! Leave comments, give me a review or send an email to Sally@sallypal.com. Your ideas keep great conversations coming every Monday evening.
If you want to get in on newly created FREEBIES go to sallypal.com/join and sign up to get FREE downloadable (and fun) performing arts postcards, workbook inserts with useful links, and the starter pages for your Creator’s Notebook. Right now, you can get a 20-page free theatre resource. It’s a glossary of jobs you might need people to do for your show. It’s useful, entertaining, and you can do your pop quizzes right out of the pages. I’ll build on it every month to help you build your show.
Concise Advice from the Interview, a short version of tips from my guest, Kerrie King. Here are 10 great bits of advice:
10 – You don’t have to fit into a mold to be a dancer. It’s okay to be who you are.
9 – Your body differences are your creative strengths. Work with them.
8 – Everything in your dance piece must have purpose.
7 – Take positive strides to make your world a better place.
6 – To offer a new perspective, reach beyond the edge of the stage.
5 – Be true to yourself.
4 – Get lots of feedback.
3 – You don’t always have to take every piece of advice you are offered.
2 – Educate your audience and help them understand your work.
1 – Love Your Body
Next week SallyPAL the podcast will feature an interview with pianist, conductor, teacher, and actor Jeremy Stevens. We talk about expressing stories through music. Check out the blog, SallyPAL.com, for articles and podcast episodes, and to sign up for a FREE Creator’s Notebook insert.
Thank you so much for sharing, subscribing, reviewing, joining, and especially, thank you for listening. I encourage you to pursue your dream to have your original work on the stage in front of a live audience. It’s scary, but I’ll be here with advice, encouragement, and a growing community of people like us.
If you like SallyPAL, a new podcast goes out every Monday evening. Thanks again for listening, I’m Sally and this is the SallyPAL blog. The P-A-L in PAL stands for Performing Arts Lab.
Remember: All the performances you’ve seen on stage once lived only in someone’s imagination… Now it’s your turn! I want to help you learn to create original shows for a live audience… Let’s do it together!
Episode 19 features artist and art teacher, Jan Butler. Jan is a former collaborator and my forever friend. Jan’s background is in 2D, and 3D art, as well as puppeteering. She works with students in stop motion animation, graphic novels, pottery, mask making AND she teaches kids all about monarch butterfly migration and supports the butterfly population in Northeastern Oklahoma. On top of all that, Jan is a member of the Tulsa Oratorio Chorus and a consummate gardener.
Be sure to listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George.
If you haven’t signed up for the SallyPAL freebies like theatre comics, super helpful links and articles, and the awesome cool sections of your Creator’s Notebook, you can sign up on SallyPAL.com/join to get your 20-page free theatre resource. It’s useful, entertaining, and you can do your pop quizzes right out of these pages. We’ll keep building on it every month.
Concise Advice from the Interview:
Here are 10 bits of advice from visual artist Jan Butler for all artists.
10 Layer your learning to build on what you already know
9 Think bigger than the moment you’re doing your art
8 Focus on the story you want to tell
7 Feed and nurture your inner artist
6 For children to feel they can express something in different ways is really important
5 Getting to experience something through different senses before it becomes academic really makes learning stick
4 The opportunity to work at something and fail without being judged for it is really important
3 As a teacher, you can be creative and free to be an artist for you instead of for people who purchase your work
2 Be open and search for new experience for both you and your students to keep it fresh
Episode 17 of the SallyPAL podcast features Steve Barker, beer and booze professional, and a terrific actor who originated the role of Drover in the musical, Hank the Cowdogby David Blakely (based on the books by John R. Erickson) and produced by Tulsa Repertory Musicals.
Steve is currently performing in a new play by Bruce Dean Willis titled Time for Chocolate. The play opens October 6, 2017 and you can purchase your tickets to this exciting original work at www.hellertheatreco.com. The play has metaphysical debates, fight scenes, historical riddles, bawdy rhymes, and of course, mushroom laced hallucinogenic chocolate (no beer and booze) and it all takes place among the Aztecs. Heller Theatre is working in conjunction with Tulsa Latino Theater.
Steve and I didn’t just talk about beer and booze. I did, however, ask him to name what beer and booze went with what playwright. We
Steve has a lot of talent packed into his 6’5″ frame. Most of the time he has to work around his job schedule to be an actor. He is the evening manager of a high end liquor store where he gives advice and offers suggestions on beer and booze. In fact, Steve started a YouTube channel where he talks about beer. He combines his wonderful way of describing the brews he reviews with years of experience in the field. The videos are fun and informative. ThinkinBoutDrinkin is worth a look.
Steve and I also talked about Heller Theatre Company in Tulsa. After 30 years on the scene, Heller Theatre announced this year that is is committing to producing all original work. The group has also hired a resident playwright. That’s where Hank the Cowdog creator David Blakely steps in. This is a thrilling leap of faith for Heller. As Steve and I discussed, producing new work is exciting, but it’s a tough sell. Many theatre goers would prefer to see something they know about or that has a recognizable title. For new works, this doesn’t always happen.
I encourage you to go see all kinds of live performances. But I especially want to encourage the support of new work. New work doesn’t mean it’s set in the modern world, either. The new show this month at Heller by Bruce Dean Willis takes place in ancient Mexico among the Aztecs. There are new works by dance companies, choirs, symphonies, local bands, and, yes, theatre companies. The cool thing about seeing a world premier is that you are the first audience to be part of that work. The final collaborator of a new work is still a collaborator. You influence the work just by being there. I encourage everyone reading SallyPAL.com the blog and listening to SallyPAL the podcast to go see something new. Be the first. If you like it, tell everyone to go see it. You are not simply seeing a show, you are supporting the creation of new work.
Be sure to listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George.
Actor-Director-Playwright Michael Wright and I explore risky venues. We chat about finding your creative voice. We also talk about taking a chance with your writing and staging your original work.
Michael and I discuss how to draw an audience into your world.
University of Tulsa professor Michael Wright is a theatre director, actor, teacher, and playwright. His theatrical work plays with form, audience interaction, and uncommon theatre venues. Michael authored Playwriting in Process, Playwriting Master Class, and Sensory Writing for Stage and Screen. He received awards for his work as a teacher of playwriting from the Association for Theatre in Higher Education and the Kennedy Center.
During the podcast, you’ll hear us talk about the Tulsa Artists’ Coalition Gallery. We also mention Playwright David Blakely. David currently serves as the Playwright in Residence for Tulsa’s Heller Theatre. I’ll feature David in a later episode.
Michael and I reminisced about Sam Shepherd and his play True West (which he saw at Steppenwolf). Michael also mentioned the WomenWorks program for female playwrights in graduate school. I didn’t include links to that program as you must be selected for it. If you are a woman in grad school, talk to your playwriting professor. Mention the University of Tulsa playwriting competition for graduate women playwrights, WomenWorks.
Be sure to listen until the end of the interview for Concise Advice from the Interview. Stay until the end for Words of Wisdom from George. I sometimes even include my bloopers.
SallyPAL can now be found on Acast, Blubrry, GooglePlay, and iTunes. I’m also on Overcast, PlayerFM, Pocketcasts, Stitcher, TuneIn, and, of course, my host platform, Podbean. Check out Podbean the week of November 27 when Podbean features the SallyPAL podcast!
If you sign up for the mailing list, you’ll get a free insert for your creator’s notebook. It’s a list of people you’ll need to help you produce your show along with some great links to more in-depth information.